Nowadays, lamenting that everybody else seems to live in a separate reality is a not unknown pastime of the sane (assuming I do not presume too much by lumping myself into that sum). Whoever you are, you’ve probably run across
As last week laid out, Henty has a standard protagonist, and that standard protagonist seems a bit Mary-Sue-ish. He’s not got much vice, he’s really good at what he does, and he sits at the right hand of so many
G.A. Henty wrote about a hundred books with the same protagonist. He did not, to be clear, write a series of that length; his longest series is three books long, and indeed he only wrote three series to my memory.
Fantasy and sci-fi are legendary for exposition dumps. See, worldbuilding and its ilk is often quite important to the story, even to the point of being a part of the pitch to get the reader interested, but too often it
Despite what our first instinct might be, we must recognize that more much we like characters and how good they are really doesn’t correlate very well. Of course, we’re none too fond of Puppy Kicker McEvilface, and certain evils just
What makes a good ending? The question plagues us, sometimes. Why does this ending work and that one doesn’t? What’s too much, what’s too little? Why did Tolkien spend six of Book Six’s final chapters on the conclusion? The ending
The steady pattern of a story’s plot is to go downhill at three speeds: fast, faster, and even faster. Then, the climax hits and (if it’s a comedy) the thing suddenly shoots upwards, fast enough to make you dizzy. In
The Lord of the Rings is famous for taking ‘too long’ to end. The Ring is destroyed in chapter 3 of Book 6 of the story, followed by the final battle with Sauron in chapter 4. The next five chapters
The Crusades controversy this article and its prequel address is a local one, confined to certain circles of online Reformed people, not really a matter of concern for the wider culture or for those wise enough to exist beyond the
To understand the world, we must understand stories, because people understand the world through stories. Not numbers, not equations, not analytical trends, none of these are the lens of human sight. Stories are the framework and motivation of human thought.