I’ve no familiarity at all with the work of Wyndham Lewis, this article’s partial subject, or Dr. Gilfedder, its author, and my knowledge of Shakespeare is small. men against darkness, published in Islander #5 doubtless possesses certain interests for the
Eowyn stands as perhaps my favorite female character in all of fiction. A few there are which stand near her- Harriet Vane, for instance- and a few I will acknowledge as being, to my experience, as well written- Orual (Till
The prefaces to this consideration of The Princess and Curdie are two. First, I must highly commend the book to you, together with its prequel. MacDonald is a skilled teller of tales and includes many gems of insight in his
#1 – Characters Need to Hurt A good story matters. A good story touches the reader’s soul and changes it, just a little. A good story matters because it touches the reader’s soul and changes it for the better. Which
Have you heard of Twilight? The financial success of the series cannot be doubted. Its writing? If it has a claim there, it rests in creating a successful blank-slate everyman protagonist (or everywoman). The same can be said for many
Last week, we looked at the dichotomy between a sin’s historic fact and its moral guilt as they relate to redemption arcs. I asserted that redemption arcs are just not quite possible, in their fullness, outside of the Christian understanding,
The redemption arc is a difficult but powerful tool in the writer’s arsenal; it’s an even more difficult thing to undergo in real life, as Saul of Tarsus could no doubt tell you. See, sin exists. Because men sin and
Last week we discussed two issues common in modern writing: failure to take it seriously and disregard for realism. Today we’re continuing the topic with another issue endemic to the failures of popular media, particularly films and TV shows. We
If you’ve followed popular culture over the past few years, even at a remove, you will likely have noticed a paucity of truly excellent stories on the television screen (actually your computer, but that’s neither here nor there), particularly of
The archetypical ‘pure evil’ race (no, not that kind of race) in fantasy is the orc, as inspired by (ripped off from) Tolkien, often by way of D&D. If you’re interested in writing fantasy, you almost certainly have some thoughts