Redemption arcs have a difficult problem: how do we deal with the (often horrific) history of the character being redeemed? It’s a real-life problem too. How do we deal with the man who is repenting of a long history of
A distinctive, compelling character is a central part of most good stories, and therefore it’s a difficult goal to achieve for us writers. As a result, we as authors spend a lot of time worrying about how to make our
When I write a story, I sometimes realize that my plot requires a new character. This secondary character,1 therefore, is created as a facilitator of plot (including character arc); he gets the protagonist from point A to point B, or
We’ve all heard the adage, “Show, don’t tell.” It’s practically the first thing any creative writing course teaches, after the formatting requirements, and I’ve made a pun off it myself. It’s sound advice, but like all short-form bits, it’s not