Last week’s article was all about ‘n-dimensional spaces’ and literary analysis. We considered the options for ‘what are we counting as part of this story,’ levels of priority (how important each element is to us right now), and the comprehensivity
I consume a fair amount of media criticism, both contemporary and historical. I read about writing, about what’s written, and about writers. As a function of this, I have to give a lot of thought to how different critics critique.
In this second installment of the series, we’re still looking at G.K. Chesterton, because I’ve been continuing a read-through of his works. Today, though, we’re not looking at his fiction; no, we’re looking at what his literary criticism, at his
Note: This paper was written for college- hence the Works Cited includes course resources not publicly available. Originally titled: “At The Center, God.” The atheistic conception of the world by necessity bases its understanding of a hypothetical spiritual (or mental)
Last week’s look at the unique virtues of story covered its ability to invest the world with meaning and its power to teach what I termed an ‘aesthetic conscience’, an instinct towards beauty in all parts of life. Today we’ll