What does a fight scene do, besides the obvious of ‘stop one person, allow another person past,’ tournament style? I could say that I’ll be answering that question, but honestly, it’s too big. Fight scenes come in all shapes, colors,
Over Christmas break, devoid of either college or work, I did what I had long forsworn, in part from self-perservation, to do: I wrote a piece of fanfiction. Now, it’s not the only fanfiction I’ve written (this poem is based
In a deviation from my preferred modus operandi, I’ll be using the term ‘aesthetics’ under a definition I prefer not to. Whereas I’ve tended to define ‘aesthetic’ as ‘relating to beauty’ or ‘relating to coherence on all levels in reflection
This work requires knowledge of Tolkien’s Turin Turambar. Find commentary here. “Evil have been all your ways, son of Hurin. Thankless fosterling, outlaw, slayer of your friend, thief of love, usurper of Nargothrond, captain foolhardy, and deserter of your kin.
The difficulty of defining poetry is in drawing a line which keeps everything poetic on one side, everything prose on the other. It can’t be alliteration or rhyme or meter or syllabification, because for every one of those, I can
Poetry is well known for its rhythm and its meter, particularly by those who know that not all poetry relies on such. Many an English speaker has fond or at least present memories of childhood rhymes like Mother Goose, traditional
Part of cultivating your literary skills is reading different genres, if only as a trial, and lately I’ve been getting into the pulps. A short story of Ray Bradbury’s (creepy), some Solomon Kane and Conan the Barbarian (interesting), and now
Last week’s article was all about ‘n-dimensional spaces’ and literary analysis. We considered the options for ‘what are we counting as part of this story,’ levels of priority (how important each element is to us right now), and the comprehensivity
I consume a fair amount of media criticism, both contemporary and historical. I read about writing, about what’s written, and about writers. As a function of this, I have to give a lot of thought to how different critics critique.
In this second installment of the series, we’re still looking at G.K. Chesterton, because I’ve been continuing a read-through of his works. Today, though, we’re not looking at his fiction; no, we’re looking at what his literary criticism, at his