As last week laid out, Henty has a standard protagonist, and that standard protagonist seems a bit Mary-Sue-ish. He’s not got much vice, he’s really good at what he does, and he sits at the right hand of so many
G.A. Henty wrote about a hundred books with the same protagonist. He did not, to be clear, write a series of that length; his longest series is three books long, and indeed he only wrote three series to my memory.
The Lord of the Rings is famous for taking ‘too long’ to end. The Ring is destroyed in chapter 3 of Book 6 of the story, followed by the final battle with Sauron in chapter 4. The next five chapters
The Lord of the Rings movies have three major pitched battles: Helms Deep, Pelennor Fields, and the Fields of Cormallen. Unfortunately, for all that Helms Deep is a (flawed) masterpiece, its successors are, in my opinion at least, not nearly
If you’ve read much G.K. Chesterton, you’ve probably realized that some of his stories are better starting places than others. Father Brown, generally speaking, is a much gentler introduction to his style and philosophy than Manalive or The Man Who
I’ve read a fair few books on writing. Some books are really interesting theory; some books are really useful instruction on how writing mechanics work. Some are utter balderdash. This book takes another tack. While it has some really good
Introduction World War One, from its own perspective, is an odd period of time, full of dramatic irony, tragedy, and dark humor. The three novels I’ll be briefly discussing today are classics of the era and justly so; I have
I have an affection for fantasy, born from The Lord of the Rings and fostered through the years, and an affection for historical fiction, born from many thousands of pages (hundreds of books, likely) in my youth. I’m not much