Read Part One! What comes after the climax is the denouement. In Biblical terms, these are the Last Days. The former age, the rising action of the Jewish covenant, has passed (is finishing its passing); the new age of the
Those unfortunates who deal with politics have doubtless encountered the phrase ‘wrong side of history’ before, the idea that history has an arc and it bends towards, well, annihilation of Christianity. To oversimplify a few libraries worth of history books,
People are incredibly, ridiculously complex. Our characters? Not so much, not in comparison. The most complex character has perhaps a few years of cumulative thought-history in his author’s mind; he’s made out of generalizations and half-rejected ideas and a unique
Sometimes you shouldn’t write it. No, really. There are parts of every story that you shouldn’t put on the page. Sometimes they seem so attractive, so fun to write, so interesting a part of the story. But you have to
As we discussed last week, while law provides a problem, justification alone provides an answer, at least for the real world. As our stories are reflections of the real world (seen in the failure of the antinomian answer in both
When I write a story, I sometimes realize that my plot requires a new character. This secondary character,1 therefore, is created as a facilitator of plot (including character arc); he gets the protagonist from point A to point B, or
We’ve all heard the adage, “Show, don’t tell.” It’s practically the first thing any creative writing course teaches, after the formatting requirements, and I’ve made a pun off it myself. It’s sound advice, but like all short-form bits, it’s not
John’s Gospel opens thus: “In the beginning was the Word, and the Word was with God, and the Word was God.” While perhaps not the first passage we think of for Christmas,1 John 1:1-14 is John’s nativity story, his declaration
Tension has a mortal enemy: the answer. Tension abhors the answer. Unfortunately for us, readers sometimes learn the answer too early. There are all sorts of ways to learn. Genre savvy, for instance, could inform them that the story almost
Tension is an essential element of most stories. Tension is an unanswered question, and the reader wants the answer to that question, wants to see not only the answer but how the answer comes about. The story, “Lily went to