Last week’s look at the unique virtues of story covered its ability to invest the world with meaning and its power to teach what I termed an ‘aesthetic conscience’, an instinct towards beauty in all parts of life. Today we’ll
Where does story excel not-story? Why should you read a story instead of a work of philosophy or science or theology? Fun is an answer, but not a complete one. We still want a better reason, something we can tell
In Part One, we considered the two layers of interpretation (intention and results), their facets, their two modes of interaction (including meta-intent), and the two purist interpretations- to see only the results (death of the author) and to see only
I addressed ‘death of the author’ quite early on in this blog’s career, and frankly, when I reviewed that article a half a year later, I was unimpressed. Thus, today I’ll be returning to the topic, giving what I believe
UPDATE: I’ve revisited this topic in more detail and with more accuracy here. Go there instead, please. ‘Death of the author’ is a fairly grim name for a somewhat controversial approach to interpretation. Whether fortunately or unfortunately, it does not