People are incredibly, ridiculously complex. Our characters? Not so much, not in comparison. The most complex character has perhaps a few years of cumulative thought-history in his author’s mind; he’s made out of generalizations and half-rejected ideas and a unique
The fine art of murdering one’s own story with a butcher’s knife is old and well-respected in the high halls of Hollywood. One of the recent trends in that direction has to do with rampant and all-infecting cynicism. Movies apologize
Today’s article is a follow up on last week’s, and as a result of that, it’s not so much one article as two mini-posts put together, one on each of the topics I promised last week. Section One: Isn’t It
People despise ‘preachy’ stories. ‘Christian’ books (the genre, including its endemic heresy and superficiality) get a bad rap for putting the message so far ahead of the story that the story might as well not be there, for writing bad
I like strange words; I like them so much I create at least one or two new ones for every story, not even counting the names. I cannot, however, take full credit for the terminology I’ll be discussing today: ‘secondary
Good stories do not use miracles to solve problems, the lore says, and they do not use miracles to solve problems because miracles, according to common wisdom, destroy a story’s stakes, rendering great thrillers into dramatic yawn-factories. Yet the great
‘Death of the author’ is a fairly grim name for a somewhat controversial approach to interpretation. Whether fortunately or unfortunately, it does not involve assassinating authors; what it does involve is denying them any right to their own work. ‘Death