In this second installment of the series, we’re still looking at G.K. Chesterton, because I’ve been continuing a read-through of his works. Today, though, we’re not looking at his fiction; no, we’re looking at what his literary criticism, at his
G.K. Chesterton, as I have already noted, could write some odd stories. In that, he is far from exceptional. What makes Chesterton so intriguing is his mastery in writing those odd stories, that he could take a premise as outrageous
The Crusades controversy this article and its prequel address is a local one, confined to certain circles of online Reformed people, not really a matter of concern for the wider culture or for those wise enough to exist beyond the
If you’ve read much G.K. Chesterton, you’ve probably realized that some of his stories are better starting places than others. Father Brown, generally speaking, is a much gentler introduction to his style and philosophy than Manalive or The Man Who