If you have brushed with YouTube media criticism recently, at least in more right-wing or culturally disaffected circles, you’ve inevitably encountered a certain complaint: ‘The women in these new movies just aren’t hot enough.’ It’s touted as a reason for
As I showed last week, we are not bound to strict reproduction of Biblical symbolism. Nevertheless, we must not take that truth as carte blanche to ignore historical and Biblical uses of a symbol in our own use. We must
Poetry and prose are the two great structural classes of human script-art. Prose is the standard, in our view, and poetry the exception. Historically, poetry has a much stronger presence in the world of art than prose, being much better
Poetry and prose and the two great structural classes of human script-art. Prose is the standard, in our view, and poetry the exception. Of course, historically poetry has a much stronger presence in the world of art than prose, being
Sometimes you shouldn’t write it. No, really. There are parts of every story that you shouldn’t put on the page. Sometimes they seem so attractive, so fun to write, so interesting a part of the story. But you have to
Modernity is myopic. We tend to assume that everybody in the past, deep down, thought in the same way we do, with the same essential premises. Further, we’re terrible at logical (or strategic) empathy, at seeing people through their own
As we discussed last week, while law provides a problem, justification alone provides an answer, at least for the real world. As our stories are reflections of the real world (seen in the failure of the antinomian answer in both
Redemption arcs have a difficult problem: how do we deal with the (often horrific) history of the character being redeemed? It’s a real-life problem too. How do we deal with the man who is repenting of a long history of
A distinctive, compelling character is a central part of most good stories, and therefore it’s a difficult goal to achieve for us writers. As a result, we as authors spend a lot of time worrying about how to make our
We’ve all heard the adage, “Show, don’t tell.” It’s practically the first thing any creative writing course teaches, after the formatting requirements, and I’ve made a pun off it myself. It’s sound advice, but like all short-form bits, it’s not